Tuesday, December 13, 2011

Dunes presents DYSTOPIA : Dana Ellyn & Matt Sesow



The Dunes presents Dystopia, featuring new works by Washington, D.C. based artists Dana Ellyn & Matt Sesow, Opening December 16th.

Opening Reception Friday, December 16th, 2011.

7:00 - 11:00 p.m.

Exhibition runs 12/16/11- 1/31/12

... ...
"Dystopia" is a two-person exhibition featuring recent paintings by DC artist couple Dana Ellyn and Matt Sesow. For "Dystopia" Ellyn and Sesow selected and created new works inspired by classic Dystopian novels, movies, and themes. Additionally, the couple has pulled from news and commentary sources such as Democracy Now, Russia Television, Al Jazeera, Alex Jones, and CSPAN.



Some of the paintings are a re-imagining of a degraded and totalitarian future, while others offer a social commentary on current events. According to Ellyn and Sesow, the Dystopian future conjured within so much of classic literature turned out to be an accurate prediction of current events, politics, and perceived individual freedoms.

~~~

The New York City based punk band "Drunken Sufis" will be performing during the opening reception of "Dystopia". The "Drunken Sufis" mix raw edge sound with politically charged thoughtful lyrics... taking no prisoners while dissecting the actions and influence of American policy.



The Dunes is open for viewings Tuesday through Saturday from 11am-6pm, in addition to regular events. View our calendar here: http://thedunesllc.com/


Saturday, November 5, 2011

Art Crimes: Josse / Wobken

The Dunes Presents Art Crimes, with French painter Antoine Josse and bronze sculptor Ferama Wobken, opening November 14th.





The latest installment of Art Crimes, a monthly art exhibition curated by The Dunes, focuses on two talented artists based in France. Meet Ferama during the Opening Reception, which features live french music by Rachel Sberro, complementary hor d’oeuvres, and spectacular art. French wines and more at the cash/credit bar. Free and open to the public.

Exhibition runs November 14th - December 7th, 2011
Opening Reception: Monday, November 14th, 7:30 - 11:30 p.m.
The Dunes Gallery
1402 Meridian Place, N.W.
Washington, D.C. 20010.





About Ferama Wobken:
Ferama's artistic direction experienced a decisive turn while she was in West-Africa where she learned the lost wax method, a bronze founding technique. Working in her own studio later in Bamako, Mali gave an African and earthy influence to her work which is seen in her current sculptures. The sculptures talk about the simplicity of mankind arising from the essence of being. With their attributes of strength, beauty, peace, freedom, sensuality and devotion the longings of much of the world are shown.
www.ferama.com


About Antoine Josse: About Antoine:
Influenced by the sculptures of Alberto Giacometti, Antoine Josse creates interplay between figures in his textural paintings that not only tell poignant stories, but reach to the depths of human emotions. "Art is for me a prolongation of life; artists are the witnesses of their time which they translate through their sensibility and practice." -A. Josse. http://www.myspace.com/antoinejosse


About Art Crimes: Presented by The Dunes, Art Crimes is a series of monthly exhibitions which is currently presented in their gorgeous new multi-use gallery space in N.W. Featured artists, who are often D.C. based, are meticulously chosen both for their phenomenal talent and projected investment value. Genres range from painting and photography to sculpture and mixed media.

Pictured: Antoine Josse,“ L’air de jeux “ Acrylic, sand plaster & wood, 30x70 cm.
Ferama Wobken “ Eagle “ Bronze, 49 x 5 cm.




Monday, September 5, 2011

Mark Eisendrath's FLUX - FLOW



CLOSING RECEPTION
Tuesday September 27th
Meet the Artist
6:00-10:00P.M.
Breakout Panel Discussion for Apartment Therapy from 7-9.

The work speaks for itself in Mark Eisendrath's FLUX - FLOW exhibition. Inspired by leaves, branches, embers and sky, Eisendrath utilizes natural materials such as birch and oak, then welds colorful pigments for truly stunning results. Equally fitting in both home and corporate settings, the pieces connect with the viewer on an intimate level. Eisendrath is in interior designer's dream.



The Dunes presents the latest exhibition by artist Mark Eisendrath. Eisendrath experiments with emulsion to create an element of deception in his sculpture: wooden pieces appearing as metal.

When & Where:
The Dunes Gallery, 1402 Meridian Place, N.W. Washington, D.C. 20010.




Exhibition runs through Sept 30th, 2011. Available for private viewings (contact deidree {at}dunesllc{dot}com
Or during events at The Dunes
Opening Reception Wednesday, September 7th 7:30 - 11:30 p.m.





About the artist:
Mark Eisendrath started his career in 1996, after graduating from the Rhode Island School of Design. Starting in large, abstract paintings while completing residencies in Rhode Island and Paris, Eisendrath later shifted into sculptural works. Using wooden objects and paper, Eisendrath uses the process of emulsion and charring, turning objects into metallic optical illusions.


Eisendrath has been awarded the Jury Prize by the Baltimore Office of Promotion and the Arts and Jury Prize in Sculpture from the Towson Arts Collective, presented by the Baltimore Museum of Art.



He has created original installations for properties in Baltimore and Virginia and is the founder of Mark Art LLC, the holding company for a Baltimore combined living and studio space for urban artists. He was recently profiled in Baltimore STYLE magazine.




markeisendrath.com
See more images from the show HERE

Tuesday, August 16, 2011

Girl Power ROCKS!

















(Photo by Audrey Meshulam)

Imagine walking onstage in front of a packed house of hundreds of people at DC’s 9:30 club, after you’ve only had your hands on an instrument for 5 days.

What instills that level of confidence so quickly is something way beyond music camp. Co-Founder of Girls Rock DC, Jenn Fox-Thomas likes to call GRDC “Empowerment camp, CLEVERLY disguised as a rock camp”.

How do the girls do it? By being told they can. That confidence, nurtured and supported by a collaborative effort of over 70 energetic and positive volunteers, goes to the core of each girl’s psyche, and stays there. The impact of the entire experience lasts throughtout the year.



How the organizers do it is through a lot of hard work. GRDC camp starts with a rousing morning assembly in the Hall of Sisterhood (aka the lunch room at Mary McLeod Bethune Public Charter School, which generously donated the space). Girls gather by instrument group first and break up into bands in the afternoon. 3 new workshops are held each day, split into age groups when appropriate.


Organizer Mel with campers; Girls interviewing each other in "Talking back through filmmaking" class. Photos by Dominique Fierro

Imani H., vocalist for Lightning Diamonds, was nervous when she first came to camp because she didn’t know anyone. Since it’s not often you are allowed to yell during a morning assembly and not get in trouble, that quickly became her favorite part. It helped her overcome her shyness. Here she is on stage: (Photo by Audrey Meshulam)













Co-Founder Ebony Dumas takes me on a tour of the camp. They have a lot of space requirements for all of the classes and equipment. Working on a minimal budget, the 501c3 accepts donations all year long.

In the “Ani DiFranco” room, (each room is named after a female musician), keyboards are arranged in a circle. The girls give a show of hands to see whether they are comfortable with what they know. Students have been working on their original song all week. They take turns playing their pieces to a captive audience of peers, which does double duty helping them to work out any nervousness.


Dalai W. by D. Fierro.

Drummers maintain a rhythm, and if they come back on the beat a little switched up, they learn to catch themselves and keep going, thanks to volunteer instructor Vivian. Working the high hat, base and snare drums takes practice so they build up gradually. Checking the grip of their sticks, posture, and being comfortable are all items on the checklist in their minds she wants them running through before they start.



In the “Patti Smith” room, 6 of the tiniest guitarists you've ever seen create beautiful cacophony running through their riffs. Four bassists are engaging in similar exercises in another room. 12 year old Columbia Heights resident Ella Moore enlivens the group with her supportive banter and advice. She's inclusive of everyone in the room. With only 3 days on a bass, she’s playing like a pro. “I’ve played guitar for 4 years” she confided to me later. “I taught myself”. No surprise her band song, which she co-wrote with Kennedy D., is titled “You Can’t Stop Us Now!”.

The packed vocal room hosts girls singing a cappella to a raucous crowd, thereby preparing the singers by imitating the crowd they will face at 9:30 club on Saturday. Attention grabbing 9 year old Bethany is clearly enjoying her 1st year at camp, giving the most adorable little-kid-voice rap, complete with "Fricka-fricka-fresh" and a wink.














Bethany by D. Fierro


In the appropriately named “Queen Latifa room of Self-Reflection”, the girls can take a break from all the stimulus if needed. Counselors are on hand and always available to talk. Last year, GRDC lost an “amazing, inspiring, and beloved camper and volunteer”. The Ariana Kosok Future of Rock Fund provided scholarships for 27 girls to attend GRDC this year.

The sometimes intense yet positive workshops cover such a wide array of topics such as song writing, filmmaking, teen health, and “Don’t confuse cost with value”. In “If you don’t like it, change it”, the teenage group reviewed a brief history of American protesting which spurred much discussion. Yavonna Rayfield, 15, of Hyattsville, MD brought up a protest held at her school over recent transportation cuts, which would have left some students unable to get to school. "Some people don’t have ways to ride the metro and all that", she noted. After the school's peaceful protest, "they kept the transportation for us".

Yavonna pictured center. Photo by D. Fierro














For Gigi S।, the 10 year old guitarist in The Uncontrollables who loves to rap in her free time, the hardest part for her is getting to and from camp to her home in the Palisades, "but it's worth it!" she said with a huge smile.

The Uncontrollables

What happened at the showcase was pure magic. A few mistakes were made, but given the time frame, it was one phenomenal feat. These girls know how to tell the world about their greatness.


* 9:30 Club stage photos by Audrey Meshulam
** All other camp photos by Dominique Fierro

More here: http://dominiquefierro.smugmug.com


Additional coverage and photos of the Camper Showcase at DCist


Call for Curators



http://dcarts.dc.gov/DC/DCARTS/Publication%20Files/5x5%20CuratorialTeam_Final_3%2011%2011.pdf

Tuesday, August 9, 2011

The FUTURE of ROCK, right now





Dont' miss:

Girls Rock! DC Camper Showcase
Saturday, August 13.
Doors open at 10:30 a.m.
Bands & DJs begin @ 11 a.m.
$10 to a great organization
9:30 Club, 815 V St., NW, Washington, D.C.


Why? Because GIRLS ROCK DC! Forget about kiddie talent shows, you won't find that here. They'll be Blowing the roof Off! Wear dancing gear- Bring your hydropack & lunch money, cuz you will work up a serious appetite jumping around with these Awesome Girls!

~
"The Future of Rock Is In Their Hands

Fourth-annual All-Girl Music Camp Raises Self-Esteem and
Puts Girls On Stage


WASHINGTON , D.C. — Girls Rock! DC, a local non-profit aimed at establishing a supportive and
creative space for girls to develop their self-confidence, is hosting their fourth week-long girls music
camp this month. The camp will run daily from Monday, August 8 through Friday, August 12 from 9 a.m. to 5:30 p.m., and will be held at the Mary McLeod Bethune Public Charter School in Northeast
Washington.

Over the course of the week, an all volunteer staff of educators, musicians, artists and community
organizers, provide campers with instruction on electric guitar, bass, drums, keyboards, vocals,
turntables and digital music production. Campers form bands, and are coached by volunteer musicians to write and perform original songs and DJ sets. And, most importantly, the camp gives young women a safe place to create music and a healthy self-image.

After a week of camp, the girls will showcase their new musical skills by presenting their original works at DC’s 9:30 Club on Saturday, August 13 at 11:00 am. The showcase is open to the public. Tickets are $10 and are available at the 9:30 Club box office and at the door. Free admission for youth 8 and under.

Campers come from all four quadrants of DC and surrounding areas. Scholarship funds were
available for a significant portion of campers. Additionally, campers do not need any musical
experience to participate.

We invite the media to attend one day during camp on Media Day, Thursday, August 11. New to this
year’s workshop curriculum, campers will learn and implement various camera techniques to use
media as a vehicle for their voices." - http://www.girlsrockdc.org




Friday, July 22, 2011

Collector's Dream ~ Thomas Pradzynski



RARE Works by Thomas Pradzynski, released from private collection and available to the public.

On Exhibit:
FRAMED, SIGNED, & NUMBERED, LIMITED EDITION SERIGRAPHS, & ONE ORIGINAL.

OPENING RECEPTION:
Friday, July 22nd. 7pm - 1:30am
The Dunes
1402 Meridian Pl. NW.
DC. 20010

Free admission.
Cash & credit bar.
~ DJ SoulCall Paul ~




Highly collectable, famed Artist Thomas Pradzynski was a modern realist painter born in Lodz, Poland, on November 29, 1951. His detail, mood, and method are highly evocative, stunning representations. An exile living with his wife in Paris, Pradzynski met a tragic end in 2007, and his loss in the art world has been felt ever since.


Collectors, view catalog here: http://tinyurl.com/Pradzynski-Dunes or Preview it here:
http://preview.tinyurl.com/Pradzynski-Dunes

“When describing my art it is important to stress I do not try to either imitate hyper-realism or tromp l’oeil (deceive the eye). I attempt to romanticize the empty streets and the traces of the past and preserve places that are slowly disappearing. I am interested in detail and try to create an anecdote. I use light by manipulating reflections that come and go, and animating the beauty of a deserted street. I am fascinated with big cities like Paris and New York, and from their streets I try to find new visual realities for others to enjoy and discover. I love the past and present in every-day life and I hope to create that feeling in my art. At times I create a painting from a composition of several elements existing in different places, thus creating an ideal image to me. A lot of people see nostalgia in my paintings. It is a feeling I look for in places where life has stopped or is changing.
~ Thomas Pradzynski






What is a Serigraph?

"Serigraphy is the name commonly used for fine art prints created using the silk-screen technique, the word coming from the Greek roots of seri (silk) and graph (write or draw).

As a screen image is printed, the layers of stencil tend to erode due to the friction caused by the squeegee used to press the ink through the screen. Thus the serigraphic process inherently can create only limited edition prints.

Fine artists create limited edition silk-screens by applying layer upon layer of pigment to the print surface by pressing it through a mesh screen containing a stencil. The process commonly uses inks for pigment and stencils made of a variety of materials. Paper and plastic cutouts can be used as stencils, but using stencil fluid, which is applied like paint to the screen using a brush, stylus, or palette knife, creates a more “painterly” look. When the liquid stencil dries, it prevents the transfer of ink through the screen at that location, creating a "negative space" on the print. The artist has to think backward from the normal process of adding pigment to a surface to remain visible (defined as an additive process). In serigraphy, the pigment is added to the print surface to cover much of the previous layers, with the stencil allowing only the desired pigments to remain untouched and visible in the final print. For this reason, serigraphy is called a reductive process.

Additionally, variables in the process of hand-pulling serigraphs mean that each individual print is slightly different from each other print in the edition. Minor deviations in color registration, ink distribution, and even intentional variations injected by the artist yield individual prints that are truly "one-of-a-kind." For this reason, collectors as legitimate, collectible fine art investments consider serigraphs." - Knottywood Treasures